Telefon Tel Aviv: “Immolate Yourself”

I know this album was released not too long ago, almost two years to be exact. I feel though, that this release did not get the recognition that it deserves. Being one of the better electronic albums that I have heard in awhile, Telefon Tel Aviv’s third proper full-length album, Immolate Yourself, has quickly become a record that I’ve obsessed over. The week following the release of this album, Charles Cooper, one half of the band’s duo, was found dead, and even before I knew that, the album held a strange sense of helplessness around it. It seemed to encompass a sense of comfortable dread; it produced, in me, strange feelings that were hard to categorize at first. And now, with the death of one of the founding members and main contributors to the sound, those feelings are skewed once again into uncertainty.

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Mount Eerie: “Wind’s Poem”

The title Wind’s Poem sounds like a light lyrical breeze: akin to that which causes a plastic bag to gently waft around as seen in that clichéd moment from the film American Beauty( before time made it less relevant). Mount Eerie’s album opens with a hurricane of guitar, thrashing wildly about the listener and destroying whatever lies in its path. It obscures the lyrics which are as naturalistic and contemplative as ever:

you can see from above, the rocks sticking out of
the yard behind the house make stone constellations,
half-buried in the dusk, the unformed stories
coming to life while I sleep.
the breath moves branches saying words that I
don’t know, a new poem. a song I sang in a dream,
the lights of town faint,
something is exhaling in the sound of traffic, far
away. something’s happening. Continue reading

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Tamaryn: “The Waves”

As Fall slowly crystallizes the need for drifting, shimmering sounds, my ears start to transform their preferences. I was once a creature of fire and light, growing towards the sun in search of energy and life; now I coarse through a thick haze of twilight in search of the relinquishing feelings of sleep, in a strangely cold and dark place. On through my voyage in the mist, in between these two separate consciousnesses I encounter a faint vibrating, a ringing cast through a series of echoes bounced in the right places so that the recurring sound is layered instead of staggered. Hallucinations are compounded by the induction.

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Ryan Adams – “Cold Roses”

Ryan Adams sings of North Carolina often. Seeing as Amy and I are only 90 days away from calling the state our home, Ryan Adams’ music, especially Cold Roses, has a new sweetness to it.

When my brother sent me an email basically saying, “LISTEN TO THIS. NOW,” I had only heard Ryan Adams’ name in passing. I had seen a poster from one of his live shows hanging in the Hard Rock Café. That was about it. But, I don’t take a “LISTEN TO THIS. NOW” email lightly. I listened and loved what I was hearing.

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The Trees Community: “The Christ Tree”

There is much that can be explored in regards to religion’s recently rickety relationship with music. Most music fans wince at the immediately associated bands that seem to frequent Christian Music Festivals by inserting simplistic and fairly non-committal references to jesus or god in their otherwise lackluster sound. I, perhaps being a somewhat optimistic person, do not believe that any music fans really begrudge anyone the right to sing about their beliefs whether they are secular or not but the reality remains that too many non-secular musicians make music that is incredibly bland and still find an audience who is eager to associate with what they hope to be ‘pious pop’.

Personally speaking, I am not a religious person but I just so happen to have a huge fascination with religiously affiliated bands that break from the norm by writing good or at the very least interesting music. In fact, the quirkier they are, the more strongly I am drawn to them. These include some modern acts such as Danielson Famile (Br. Danielson, Danielsonship, Tri-Danielson) or Half-Handed Cloud; each are bands who use their faith as a foundation for their atypical compositions. This being said, the 1975 debut album by The Trees Community, The Christ Tree, is an amazing work that belongs in a whole different ballpark.

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